Final Frame© is the delivery operations platform for studios, licensors and distributors. Every deal, every deliverable, every market, live.
It replaces the manual delivery between licensor and licensee, from deal memo to proof of delivery: every deliverable mapped, every gap found, every task assigned, done, checked, approved and delivered.
You can run your deliveries from an iPad if you like.
Everything, everywhere, all at once.
When content is licensed, two companies agree a deal. A studio licenses titles to a platform, a broadcaster, a distributor in another market. The deal memo names the titles, the territories, the languages, the rights and the dates. Then the real work begins, because a licence is a promise to deliver: masters, dubs, subtitles, artwork and the title metadata each buyer ingests, all in exact technical shapes that differ by destination.
Until now, that promise has been kept by hand. Every deal sets off a scramble of people, spreadsheets and email: gap analyses rebuilt from scratch, work scattered across teams and vendors, status discovered by asking, deadlines met by heroics or missed by inches. The industry ships some of the most valuable content in the world through a process nobody can fully see.
With fully responsive UI you can make decisions,
check statuses and approve on your phone.
The usual suspects.
Every deal starts from zero. The sender rebuilds by hand what it already knew: what exists, what is missing, what must be made. The work scatters across teams, vendors and inboxes, status lives in other people's heads, and cost is discovered rather than estimated. What cannot be done in-house goes to a service house that charges by the title and reports back in summaries.
The receiver waits. Deliveries arrive late, wrong or incomplete, the rejection loop runs on email, and the metadata and artwork a launch depends on come last, in the wrong shapes. Neither side holds a record the other can see, so each keeps its own version of the truth. When something goes wrong, proving what happened takes longer than fixing it.
In its prime on the desktop. Beautifully and intuitively designed.
Back to the future.
Final Frame puts the delivery between the two companies on one platform they share. Drop in the deal memo and the delivery builds itself: the titles, the markets, the languages, the deliverables, the gaps, and the work needed to close them. The assets move through the same platform: video, audio, dubs, subtitles, artwork and the title metadata the deal calls for, received, transformed, checked and delivered into each buyer's own systems to their exact spec, and the exchange itself is automated and secure: every transfer scoped to its deal, signed, and recorded.
Every process runs at the level of automation it deserves. Machines read, match, write, generate and check; people approve, direct, and take over wherever craft demands it: premium titles get the human touch, the long tail runs hands-free, and you set the dial. None of this was possible a year ago. Software could track the work; it could not do the work. Now it can, to a standard the industry can put its name to. Final Frame brings that change to deal delivery: collaboration software both companies share, AI workflow and automation for the work, and cloud processing for the assets.
Asset preparation runs itself. Artwork generated,
sized and checked for every destination.
As good as it gets.
Final Frame is built for the teams who carry delivery between companies: distribution servicing, platform and network servicing, content operations. It hands them back time and certainty. The delivery plan exists the day the memo is signed. Status is on the screen instead of in someone's inbox. Work cannot move past a gate it has not passed, spend is visible before it happens, and there is a permanent record of who did what, when and why, for every deliverable in every deal. The work itself packages into auditable, procure-to-pay friendly formats, so a delivery can be priced before it starts and every line is ready for a PO or an invoice.
Until now there has been nothing good to buy. Service houses do the work but keep the visibility. Point tools solve one step and leave the rest. Building something internally takes years and a budget only the biggest studios have, and even their systems lean on spreadsheets at the edges. Final Frame is different because the customer keeps everything: the data, the record, and the choice of who does each piece of work. That can even include the service houses, working as vendors inside the platform.
The full suite: end-to-end control on
whichever device works best for you.
The neverending story.
It also gets better with use. Finished, approved assets stay with the deal they were made for, ready to use again, so delivering the same film a tenth time costs almost nothing. Handoffs bring the other side of each deal onto the platform, so the network grows on its own. And since any piece of work can go to AI, a person or a vendor, teams can automate as much or as little as they like, and change their minds at any time.